6番目の駅 Roku Banme No Eki

幾天前租了神隱少女來看，離它上映的2001年已經過了7年，有什麼動機我也說不上來，就是想看。開頭就讓我專心起來，久石讓的配樂真的很棒，和畫面搭配的很好，有種渾然天成的美妙。相較之下，最近看過的電影有些反而讓過於突顯配樂，存在感蓋過畫面，感覺就弱掉了些。

最讓人回味再三的是「6番目の駅」這段，不安、孤獨、決斷的氛圍，除了幾句簡單的台詞，超過90%的時間都是讓畫面與音樂說故事。當電車呼嘯而過，站台的鐘聲因為都卜勒效應而消長變化，瞬間打破寧靜，讓我心頭一震，隨後又平息下來，短短的三分鐘，卻是我覺得全片最精華的地方，很容易讓人沉浸其中，感受到Chihiro的心情。

youtube上的是英文版，雖然有點怪，不過台詞本來就很少所以也沒差，缺點就是寬螢幕被縮成4:3，人物比例變怪。


IMDB有人的影評寫的不錯，節錄談配樂的那段:
The sound on the film was expertly done. The sounds perfectly match the on screen actions and objects. My sub woofer got a wonderful workout when Haku swoops Chihiro past the bridge at the beginning. And while I don't speak Japanese, I think the voice actors did a wonderful job of conveying their personality and emotions true their voice. Joe Hisaishi's music is sublime, definitely one of my favourite scores. His main piano theme is simple and evocative. His thunderous action music hits the viewers on the chest like a hammer. Like all great scores it heightens the greatness of a scene about three times. The score, unlike many American composers', is unobtrusive. It plays excellently with the scenes, but never overbears them. A lot of the time the it is barely noticeable, a sole piano plays softly in the background evoking a dreamlike/lullaby quality.